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Yo me llamo Cumbia / My name is Cumbia [trailer]

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This awesome video on Cumbia just dropped into our inbox. This is pretty amazing.

“Yo me llamo Cumbia” (“My name is Cumbia”) is a documentary that goes in the search of Cumbia’s origins. We’re going to identify the geography and history of the rhythm, within which the entire story of the cultural melting pot that ended up creating what today is Latin America.

In over 52 minutes, we’ll know the different versions about the Cumbia’s origin, we want to contribute to the discussion on where and how Cumbia was born, traveling across the geographical locations where (according to research) originated this ancient rhythm. Our main interest is to compile, document and most importantly share the various manifestations around this ancient rhythm, an initiative that hopes to assist in the dissemination and preservation of the Cumbia.

Check out the Best of ‘Yo me llamo Cumbia’ on: yomellamocumbia.com subscribe for new videos: youtube.com/user/cumbiadoc follow us on twitter: twitter.com/Cumbiadoc and facebook : facebook.com/cumbia.documental

YO ME LLAMO CUMBIA © 2013 – DIRECTED BY ROBERTO DE ZUBIRIA & SERGIO ZARAZA

La Cumbia según Los Gaiteros de San Jacinto from Yo me llamo Cumbia on Vimeo.

From the Colombia’s Caribbean hinterlands, roots of the Cumbia, thrive the music of Los Gaiteros de San Jacinto. The sounds of long-tubed gaita flutes, unique drums, and maraca stoke the fire of the cumbia and of other regional dances—the fast-paced puya and porro, the cadential gaita corrida, and the bullerengue. Los Gaiteros de San Jacinto, the senior statesmen of their tradition, are an animated emblem of Colombian nationhood and a resilient fountainhead for some of Latin America’s favorite dance rhythms.

La Cumbia según Totó La Momposina from Yo me llamo Cumbia on Vimeo.

Queen of Colombian Cumbia and one of the strongest fountains of influence in Latin American music. Totó La Momposina was born on the island of Mompóx in the Bolívar region of Colombia, making up the fourth generation of musicians. Nobody owns their music like Totó does, she uses this gift to bring her crowds together, and to celebrate the rich, living tradition of intertwined African, Indigenous, and Spanish cultures. Her show is as energetic as her constant laughter, which we were able to experience when we interviewed her, discussing the origins of cumbia, of the sounds and rhythms that emerged from the Caribbean and have made their way all the way to our Latin America.

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