At the end of a musically confused 2016, which saw the evaporation of online aesthetic and sound hypes, our attention is shifting from avant-garde pioneers, to people who are experimenting with new ways to build more solid, multi-genre scenes and concepts IRL, independently from the accelerating pressure of net-trends. Wu, from Rotterdam, is of that category. He pushes his eclectic blend of club and bass genres as a formula for darker dancefloors. In this sense, he fits the broader movement of developing multi-genre club scenes that has been a continuous engine for innovation for about a decade, from GHE20G0T1K to Swing Ting to Endless. The exciting thing is that the final outcome of such initiatives, can be quite different in each individual case, and the central starting points to build on can vary from genres as diverse as techno, grime, hiphop, dancehall or even experimental stuff like noise or algorave.
In this energetic mix, Wu shows the potential of the growing interest in grime, UK club and vogue/balroom sounds as a starting point for a vivid, multi-genre club underground.