“The only thing I need is HUGS” – 2016 with Dead Stare

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Little more than a year ago, I wrote what is possibly my most personal and emotional piece ever written on Generation Bass: the in depth interview with Dead Stare’s Gergö (Hungary) and Edgar (Mexico/US) about health, injustice, passion and music. The post struck a chord with many people and was shared widely, reaching for example boombahchero pioneer DJ Orion, who invited them to revive the Subguey series in September this year.

Dead Stare continues to occupy a remarkably unique position, outsiders in both the Hungarian and the North American ‘global bass’ scene, where the sounds of the BABYLON label and La Clinica on the one hand and NAAFI on the other, are setting the tone. Dead Stare’s blend of sounds is squeezed in between the EDM branch of global bass and the darker experimental club sounds that don’t really fit in ‘avant-garde club’, dark trap or witch house either. And now their enthusiasm for the boombahchero genre has given a whole new spin to their direction.

I recapped with Gergö for a look back at the turbulent 2016 and the future of boombahchero.

GB: Have there been any hopeful developments in the treatment of the brain tumor?

G: Unfortunately, absolutely nothing. Only for the worse. If its getting bigger, it can fuck up my eyesight. In the last few days a lot of things were too obscure, way too obscure, so we need another tumor test ASAP.

On a side note, I love how you guys wants to send me money like you, Orion and First Gift and Edgar, but I hate money. And as I said, we can’t buy an operation. In this situation Money can’t help. I could buy some clothes and food which would be really cool, but today I realized I don’t need money. The only thing I need is HUGS!

GB: But at some point you will need an operation I suppose, right?

G: I don’t know, but pretty sure yeah. I need to do another test. Probably in January.

Also, doctors announced now rhat , in this situation, the epilepsy is more dangerous than the tumor. It would be better without the Tumor, but still dangerous. They can’t operate epilepsy. I have medication, but I don’t really know what to say. I need to take it for a lifetime, but I’m always positive you know.

GB: Is the epilepsy a reason not to operate on your brain?

G: Nope… Luckily they can still operate me, but then I’ll still have the epilepsy which is more intense.

GB: But that’s no reason for the doctors to say, lets keep a tumor in your head that threatens your eyesight, that’d be bizarre…

G: I know man.. I’m just saying. I always went with high hopes to all of the appointments. I want to get rid of it ASAP. But I had enough time to learn to live with it.

Dead Stare x Wost – Brinquen

GB: You were supposed to fly to the US for the promotion of the Subguey release, but that didn’t hapen in the end right? How do you feel about being so far separated from Edgar, especially now Dead Stare is growing?

G: The US trip is still possible, I just need a bit more time, hopefully I can tell more news about it. Edgar understands that I can’t travel to the US yet. He always encourages me to do gigs alone in Europe. Hopefully it will change soon. We really get along.We can always fix all of the “problems”, this hasn’t a big one to be honest.

Even by playing separate gigs on two sides of the ocean we influences each other. The video from my gig at Cross Club inspired Edgar to play boombahchero at a popular deephouse night, and people told him it was the craziest set ever.

GB: Cross Club?

G: Cross Club is a club in Prague. Chong-X booked me because he liked our Subguey mix. It was literally unreal. It was supposed to be a boombahchero set but for some reasons I played 30-40 mins of Moombahton… then Chong came to me and said “WE WANT BOOMBAHCHERO!!!” I switched to it immediately, and like woah. Man, it was clearly one of the best moments of my life.

I mean, for me personally boombahchero is very special, a magic experience that takes me to a perfect world without pain, and where everybody just smiling and dancing with crazy moves. But that night this actually came true.

GB: Can you tell more about your experiences with boombahchero?

G: It’s the most underrated microgenre now. I always knew the potential, but when I saw people’s reaction in Prague, I realised its even stronger than I expected. I’m just obsessed. I never thought people can feel boombahchero this way.

Another time is when I sent this Miami bass demo to Astronomar’s label Main Course. He said the track is really cool, but… SEND ME SOME BOOMBAHCHERO PLEASE. Like, I can’t believe this. A month ago I told Edgar “Everybody wants Boombahchero” but I was just joking. It seems it’s not a joke anymore..

I want to inspire people to create more edits as well as originals. I started a new project, organising a boombahchero compilation with all original tracks. First Gift from Sweden, who already made a lot of sick boombah tracks, is helping me, along with Orion. Maybe its a bit too early to announce it since we don’t really have anything so far yet, but I’m excited so I wanted to talk about it.

Dead Stare’s ‘slow boombahchero’ remix of Gingee‘s track Escape

GB: Coming back to the Main Course label, do you have mainstream ambitions?

G: I want to grow, and want to spread our message all around the world. I want shows and meet new people. I want to talk to all of my followers and help out others with food, clothes and inspiration. Big labels are the key. If I can take over some big labels that means more shows and more attention. It would be our biggest goal to have a release on a label where a global bass artist never really released anything.

Its hard because I want to keep the Dead Stare sounds but sometimes the success requests things like that. I think an oldschool miami bass track with some acid vibes would be enough deadstare. I’ll try to make a very unique track with rare sounds and of course acid vibes. Maybe its still EDM, but Im pretty sure we can make a good EDM track with a pure oldschool vibe and a unique beat.

Dead Stare’s intense, dark-epic boombahchero remix of Monsters On The Horizon

GB: What’s up with the baby sounds that come back in several of your tracks?

G: We never talked about this so far, but nothing can make me more angry when I see somebody hurting a baby. I seen a fucking intense video of a mom kicking, hitting, hurting her daughter with things and I was literally in tears. Maybe that’s the deepest reason why I want to grow. I want to show people that kids deserve way more attention and love. Some parents prefer to give them easy distraction instead of talking to them. These things make me angry. We are using baby sounds to give a voice to them in this way.

Maybe some of our fans still think we are just a random project, making stupid ironic shit, but we have some serious messages. I’m not saying I can change the world but maybe I can inspire a few people that understand what we’re about.

GB: Any last thing you want to say to Generation Bass readers for 2017?

G: If you got an unreleased boombahchero track, we would like to hear: [email protected]

Dead Stare – Másnapos (“hangover”), Original Mix

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