One of the tragic side effects of always being tuned onto the most innovative and culturally challenging music is that you’ll get bored ever more easily. Nights revolving around one specific genre, like techno or DnB, can annoy me to death. But also in the worlds that I’m active in, like global bass or ‘avant-garde club’, there isn’t much that canamaze me with the same power any more as when I was still new to all these things. Between my early Soundcloud days and now, the “‘this BLOWS my mind” feeling has gradually faded from multiple times a day to often months without. Simply because I’ve heard so much of the most fantastic stuff already. But last month I had a life transforming experience in a way I haven’t had since my early days of music digging, not while surfing Soundcloud in solitude for a change, but on the middle the dancefloor, walking into a liveset from Renick Bell.
Immediately when I heard the robotic abstract beats and alien ambient scapes while seeing the hypnotising coding lines glide and morph over the big screen, I knew that I would write a Generation Bass post as soon as I had the occasion. And doing a quick search I also realised that this is the first-ever Generation Bass post about algorave. Developed in the underground of tech enthusiasts, the technique of using software code commands to generate live music has been around for more well over a decade, yet hasn’t crossed paths too much, not with the ‘post-internet undergroud’ and let alone with global bass. It’s logical why.
What has fuelled the internet hypes over the last decade has mostly been driven by the products of the democratised accessibility of simple production and sharing techniques, which has enabled teenagers from around the world to develop new styles and subcultures that are often quite simple in the production process but creative in the way they bring together cultural elements available via the internet. The development of a whole new kind of instrument, especially one that requires very specialised knowledge only shared by minor section of the population, is a diffent world. In 2013, when the algorave first caught attention as an upcoming scene, Vice notoriously called it the “future of music, for nerds”. This esotheric character is one that algorave hasn’t managed to shed so far, at least in my perception, interesting mainly as a mere nice idea for people passionate about exploring the possibilities of coding as a human craft with vast latent cultural potential. All of this might well change soon, both because the coming generation will hopefully have much widespread knowledge of programming, but also because, as the craft matures, its fruits will improve and diversify. The previous generation has witnessed the shift of electronic music in general from an experimental niche genre pioneered by a small bunch of wire enthusiasts to the most widespread, popular way of making music. And with the potential of open-source software, in principle accessible to anyone anywhere with an internet connection, coding as a new form of musical expression may well be on its way to be embraced by marginalised people to articulate political realities that go beyond the privileged bubble of nerd culture. After all, the ongoing historical development of music is essentially cultural heritage x socio-political context x technology. And that is why, on the brink of 2k17 it is more urgent than ever to start talking about algorave on Generation Bass.
Enter Renick Bell, a Texas born, Tokyo based programmer, musician and teacher. His abstract, visceral sound, shared by artists like Partisan, Morten HD or Sentinel, has attracted the attention of avant-garde platforms such as J.G.Biberkopf’s Unthinkable series on NTS, Quantum Natives and Infinite Machine and has doubtlessly also been shaped back by these movements. More importantly, the amalgam of sounds combined in these music scenes has brought algorave in direct contact with the musical heritage from marginalised global club & bass undegrounds as well as with the socio-political contexts of the struggles of oppressed people for alternative futurisms. This happed very literally on Native Self, where Renick’s set was immediately followed by Terribilis playing baile funk and Lisbon batida.
During Native Self there were, as is common in the Algorave scene, no additional visuals apart from the real-time projection of the live coding process: a form of opennes to visitors with knowledge of the technology and an invitation to contribute.
His most recent official release Empty Lake EP, which came out in October this year, on the London based experimental labelUIQ.
His most defining works: a series of tracks called “fractal beats”, drawing from genres like footwork, gabber, psytrance, techno and noise, but with the improvisational chaos of experimental jazz.
Moving into melodic territory, with poppy vocal samples, his sound becomes essentially identical to the sonic palette that I typically categorise as ‘avant-garde club’
Renick’s collab from half a year ago with the Japanese experimental club producerKΣITO
“Beats for traditional dancing”, a composition where live coding and otherworldly electronic sounds become antirely one with the spirit of Jazz
Liquorish Records is a forward looking label, curated by DJ and scene builder Oomboi Lauw, who is always a step ahead in signalling what is missing in the music scene, globally but especially in the home city of Amsterdam. Initially this started with creating an outlet for the unique, grime inspired twist on footwork by the Surinamese producer J(ay).A.D. This love for uniqueness and boundary pushing club and bass has grown into an impressive series of EPs and compilations where Amsterdam based talents like J(ay).A.D and Noam Kamal appear alongside international artists from a broad spectrum of scenes and genres.
Usually focused on the higher BPM range, Riddim All Stars dives into the dancehall roots of contemporary club music, with half-time downtempo and mid-tempo riddims that freely blend tresillo patterns with double-time percussive filling and a wide variety of synths and atmospheric effects. Also exciting about this compilation, on the brink of 2017, are the different music scenes and genres from which it brings contributors together. There is ‘avant-garde club’ producer Zgjim from the Angry Youth collective, as well as barefoot pioneer and global bass OG Stereotyp (vienna), Generation Bass afiliated footwork producer Sarantis, dancehall minded UK club innovator Cardinal Sound and dub junglist SeekersInternational and more, all on the same compilation.
I had the honour to spin some tunes together with Zgjim, Zoltan J(ay).A.D and C_DR_C on the release party in Amsterdam last week and especially the brooding, budding scene energy made me realise that if there is any release that gives me a positive insight in the new directions music can take in 2017, it is definitely this one!
So much for theｃ ｌ ｉ ｃ ｋ ｂ ａ ｉ ｔ part. Everybody is done with hypes and I don’t care if it is relevant or not to still talk about old memes on the brink of 2017. Cumbia will always be relevant so shut up. Same goes for vaporwave.
Usually, blends between genres occur when specific, different genres come to occupy an important role in the the cultural sources consumed by an individual, either by growing up with it, being part of a specific cultural environment, or by having any other kind of connection with it that sticks for some reason. At some point, somebody realises that a combination between the two genres is possible and starts experimenting, either as a joke or as a sincere expression of their reality. Usually somewhere in the middle. Like with any cultural translation, something is first imitated and then translated into the new context, developing a ‘homegrown version’ of something that may or may not start living a life of its own.
Vaporwave is of course no exception. I have pointed out before how vaporwave caters to a collective memory of long days of luxurious mall shopping with your parents, television commercials, videogaming and the first aquaintances with the life-changing influence of computers. This shared experience of growing up with these things is mostly specific to affluent, white, suburban Americans and don’t necessarily have the same subconscious connotations in other parts of the world.
CYBEREALITYライフ is one of the earliest ones introducing the genre to Mexico, fully integrated in the entirely internet-based, largely anonymous vaporwave scene. An old track from 2013, with all the tokens: slowed-down, chopped and looped soulful mall music, presented with mystifying Japanese script: nothing that gives away that this was made in Mexico. Nowadays he largely left vaporwave for a broad variety of other styles.
マクロスMACROSS 82-99, also doesn’t make any notable use of Mexican cultural elements and is even heavier on the pseudo-Japanese kawaii-disco flavour.
Munchi recently showed this video, dating from back in 2010, produced by video artist Rollz Royce for the T Tauri Trap House collective (which included artists likeZakmaticandChippy Nonstop) who experimented with tumblresque aesthetic net-trends, fused with sounds, predating ‘avant-garde club’, which leaned more towards global bass than towards the post-internet lineage of seapunk, vaporwave, meme-rap & cybernetic club. Even though I would now automatically connect these aesthetics to future funk vaporwave, the connection makes total sense, since these sounds in fact draw from the collective memory of growing up in the 90s but in the Latinx community.
One of the most obvious ways to give a Latin twist to vaporwave is to vaporise the homegrown versions of the kinds of music vaporwave is usually based on, like this edit of a 90s hit from the Mexican singer Luis Miguel.
And from there it is only a short step to vaporising cumbia. Mexican vaporwave producer A. Rivers recently released a mini album with 3 ‘made in Mexico’ vaporwave tracks, two of which are based on cumbia.
Mexico is not the only country where somebody got this idea, Falsorwave そして、通過 Chile is a Chilean channel with vaporwave edits of Chilean pop, some of which cumbia.
And a Reddit search of the terms vaporwave and cumbia led to this whole new attempt by a producer called Wiracocha, after the precolumbian Andean deity, to create a new microgenre ‘Incawave’, a blend of post-vaporwave ambient and Andes music. Personally I like post-vaporwave experimental stuff better than pure vaporwave so, clickbait or not, I really dig this!
A long while ago, I made a remark somewhere that bubbling could be seen as a kindof nightcore version of early dancehall and then Mexican cumbia rebajada would be a vaporwave version of cumbia. This was also realised by Redditor Newtype420, who postedVice’s cumbia rebajada documentary in /r/Vaporwave last year, which has lead some vaporwave-aware Latinx Youtubers to comment in ｆｕｌｌｗｉｄｔｈ to old uploads of cumbia rebajada channels.
Strikingly, pre-vaporwave cumbia rebajada has always had the strongest in Monterrey as well as in Mexican communities in Texas’ metropoles, where it has crossed paths before with Texas’ hiphop culture in general, and thechopped & screwed hiphop movement in particular, which has created an aesthetic that shares a lot of cultural DNA with the different elements that inspired vaporwave and sad-rap.
The question then becomes what is the difference between the cumbia rebajada that’s been around for so long and slowed-down cumbia edits presented as vaporwave? As WosX has pointed out, the way in which it is presented as an added, mystifying and recontextualising layer on top of the sound itself, is an essential element of what makes something vaporwave.
WosX’ recent educative short doc goes in depth into the defining elements that give the vaporwave family of related genres their disctinctive character **I personally do not agree with his assertion of inconsiderate, ‘google-translate’-style cultural approptiation (the way it is usually practiced in VAPOUR) as a positive way of cultural exchange**
This would imply that it is the representation of cumbia, as could be done with every genre, that ‘vapourises’ it, rather than simply applying ‘classic vaporwave’ techniques to cumbia. In that sense, ‘vapour cumbia’ is still in its infancy, but it has clearly entered its journey through the grinding mill.
Essentially the classic sound of cumbia rebajada, wrapped in vaporwave aesthetics, fromVaporguey
Also from Mexico, by an obscure humor channel, slowed down ‘vaporwave’ edit of Los Mirloschichahit Cumbia de los Pajaritos, presented in an eclectic aesthetic package that can refer at the same time to cumbia rebajada, sad trap and nightcore
Even though it is not consciously part of the ‘vapour’ umbrella, when it comes to slowing down cumbia with the purpose to create a displacing experience that is both nostalgic and unreal, this already classic cumbia dub edit by El Búho comes close to how a more refined cumbia vapour could be imagined.
On the visual side of things, the crew from Caballito Netlabel, where the designers have been conscious of vaporwave from the start, have experimented with more ambiguous, vaporwave-inspired yet uniquely different Latinx aethetics to accompany their digital cumbia sound.
This month, La selva moves into winter cumbia style, with bigger warmer basslines to keep everyone cosy at home and on the dancefloor! There are loads of amazing tunes out, here is a selection of the best below! We hope you enjoy!
To start this month Sexy Saturday Cumbia, some very sad news indeed, but that we can all help towards. The great maestro Carmelo Torres got his sweet accordion robbed last week. Here is a page where you can actively participate in the buying of a new one for him. Even if you cannot put any money, share it! A very good cause for a much needed artist
Lascivio Bohemia – La Visherita Flashera
To follow getting on some deeper vibes via our champion Lascivio Bohemia ! Once again he comes through with a delicate but very hard hitting cumbia called, La Visherita Flashera. The production behind this man is top notch every time but in this one we can feel the drum patterns being really worked on. Very spooky synth or instrument noises which would have blended perfect into your Halloween fiesta.
San Ignacio – Os Ventos (Fertil Discos)
I wanted to stay within deep cumbia and what better track to bring you than this one by San Ignacio! Also on a great label which I have had the pleasure of meeting the owner, the great Jin Yerei . Normally not my type of music but this track caught my ear via its guitar strings and deep kicks. Very soothing tune indeed.
Stereo Beaver – Pelicula (Folcore)
Let’s stay down there within the deepness for a while eh! This is an altogether bomb of a compilation compiled by the mighty label Folcore. Lots and lots of good tunes on here but a couple have really grabbed me. I’m not sure what exactly pointed me in choosing this particular track apart from the way it has been put together. I think the lay out is absolutely on point. And as the winter is settling here in Madrid this melody goes perfectly with the clouds passing by.
Nixtamal – Eru Ara (Folcore)
So people will start saying “your French, his French” you campion him a lot! Well lol I have actually never had the pleasure to meet Nixtamal and I can tell you I would love to! Now to come back to music and production (no hippie business here). This track also to have come out on the Folcore compilation first of all has vocals which reminded of the very famous French film “The Chorists” even though I’m sure it’s not taken from there. That’s what grabbed my ears first and then the pushy mids Nixtamal always brings in his tunes are larger than life. Lovely drum work, but oh god I love this bassline!!!
Poupa Honk – The Great Dog (Folcore)
So this month for me Folcore came and did it properly, and I know personally that next month they have plenty of other surprises.
So this track is by a producer I didn’t know before, which really interested me because he has come through with a whole album of various beats. I love strings and kicks so you will understand why I chose this one to present this album.
Loquera Tradición – Santa Muerte
As you might have realised, I dig a lot of acoustic Cumbia and I truly respect its foundation. Where here is a cumbia track which blends at first the very sharp acoustic sounds and then drops into a slow digital monster! Never came across these guys but I love the way they combine the old and the new.
El Remolon – Radio Gladys Palmera
Here I wanted to present this fabulous video of the great El Remolon which I met last month. This video has been shot in the studios of a great local radio called “Radio Gladys Palmera” which I really respect for all there efforts and work. To come back to the video this is from his new EP on Fertil Discos called Senderos. A very political piece of music if you ask em and here an superb version of the track called “Guerreros del Amor”.
Was it Halloween this month passed? Well yes it was if you weren’t already aware… No this mix is no joke! A person I had the pleasure to meet about a year ago has dropped this killer skilled mixtape for all our Halloween musical needs. I have to say sometimes in the Cumbia world we encounter some djs which are good but not topatop, well here is an ill mixed session by Aztek732!
Just a little mention of this real nice mix from our good mate my Dj Masaya ! Look out for its filled proper nice cumbia hits and as always very smoothly mixed from the most famous moustache in the cumbia world.
And to finish my month´s selection who else than our top shotter badboy Rafael Aragon. Real tropical vs Bhangra gangster this time he has come to run it with this tight little mix dedicated to the Colombian folklore. It is filled of rudeboy styles and proper dapper tunes. (Hopefully Mr Rafael would have got the joke) No seriously this is an excellent mix to get more Colombian musical culture within you!
Bass music producer 6Blocc presents a “round of cumbia edits of classic reggae and dancehall classics”. What a great release! I have been secretly hoping to have cumbia edits of these classics for years, and here they are! Brought together by heavy bass and trappy cumbia beats, this is sure to get the dancefloor grooving!
Angeles Azules – Cumbia Suavecita (Nacho Libre Remix)
Digital style! Atmospherics, synths and guitars take you on a journey into digital cumbia as a stylish beat pumps in the background. Sound good? This is cumbia suevcita remix by Nacho Libre.
Dengue Dengue Dengue! – The Enemy (Sonidero Sabotaje Bootleg Remix)
Here´s a nice little edit of Dengue Dengue Dengue´s the enemy, remixed into a slow cumbia sonidera style stomper. It keeps the vocal hooks and the atmosphere while radically switching the beat up – the guiros are pretty relentless and the result is hypnotising. Check out Sonidero Sabotaje!
Bass cumbia in full glory with Jairo Mendez & Tropikore distilling a cut of dirty, bassy cumbia, full of their signature sound. Wobbly bass lines are matched to perfection with a funky guitar and choice vocal cuts, while a heavy guiro rounds it off. Check this badboy out!
What better way to begin my month’s selection than with an edit by El Buho. I will probably be repeating myself when I say that he has once more managed to bring in his world to the original tune with smooth and deep touches all around whilst keeping the original folkloric vibe. It’s an absolute beauty !
El Búho – Pehuenche (Gente De Los Piños) (D R O S S E L)
And this month El Buho delighted us with another release, which came out on an amazing compilation: ‘VAgabunden Teil 1’. The whole tune is incredible, but I’m sure you will notice how the subs just take you to the next level. I simply recommend that you press play and enjoy the journey. And don’t forget to check out the whole compilation, which has loads of great tracks including a wonderful one by San Ignacio.
Now this is hot hot hot !!! Cassette Blog have just released another one of their banging compilations, celebrating their 6th anniversary, and Intiche landed with this incredible bass business. The progression in the whole tune is amazing; it takes you, slowly but surely, into a profound undergound atmosphere.
King Coya feat. La Walichera – Tierra de King Coya (ZZK Records)
Yes yes yes, King Coya is back ! Here’s the first preview of his forthcoming second album on ZZK Records. This tune shows a great mix of traditional elements mixed in with heavy kicks, basslines & spaced out synths for an all in one wicked tune, leaving us eager to hear the whole album in 2017.
LA VIDA ES DURA (versiondub) INTI ZIMAN
Some of them drop cumbia bass, and Inti Ziman has just dropped Salsa Bass !! Absolute rinse out ! I love how he has maintained most of the salsa rhythm and added a fat bassline to it.
Bert Kaempfert – Afrikaan Beat (Time to beat)
So this is not cumbia, nor salsa, but I’m sure a lot of view here love a bit of Samba, and especially when it has a hint of drum’n’bass added to it ! Straight out of Madrid, Time To Beat always releases some really nice sunny and groovy dnb edits. Make sure you also check the salsa dnb edits he has on his soundcloud.
Ondatrópica – Hummingbird
Ondatrópica are preparing a new album, ‘Baile Bucanero’ on Soundway Records or 2017 and it’s looking tasty.
Tropical Frequencies: A brief history of Peruvian cumbia (Native Instruments)
Native instruments are coming up with interesting short videos recently, including this one, with a little introduction into part of the traditional Peruvian cumbia sounds.
Like every month, as well as he great amount of releases that have come out, there has been a huuuuge amount of lovely mixtapes from all over the place for us to enjoy, and here are some of them:
Dj Nirso Mixtape 031 – Festival Nómade Colombia
Kazike en Estado de Trance Mixtape 032 – Festival Nomade Colombia
The Onda Group is a New York based collective which includes Track Meet’s Ynfynyt Scroll and Escape From Nature’s Orlando Volcano focused on embracing the holocene. Onda Trax Vol. 1 is the first mini-compilation, which might mark the beginning of Onda Trax as an album, containing tracks by Ynfynyt Scroll, Orlando Volcano and nar that all take a melancholic, melodic approach to dominican dembow, dancehall, baile funk and 3ball. Looking forward to more releases from them in the future.
I saw the Moroccan born, Brussels based producer Gan Gah recently in Rotterdam, at Pantropical’s event organised together with the Arabic film festival in Rotterdam, playing next to Rocky B the Tropikal Camel, Deena Abdelwahed and Rebel Up!‘s Dutch member Duckfood. Amidst the current wave of Middle Eastern & North African club music with semi-mainstream acts like Acid Arab on the one side, avant-garde political acts like 8ULENTINA and Dj Haram on the other side of the spectrum and the Arabic side of ‘global bass’ in the middle, Gan Gah is the perfect bridge. Following last year’s Souktronics EP, which had a lot of club, kuduro and trap influences, Chaâbitronics stays even closer to the characteristic chaâbi sound and bouncy triplet rhythm found in traditional and pop music all over North Africa and the Middle East.
Jason Hou is a Bejing based producer and member of the dohits label & collective which has been on our radar since last year summer. Their output is impressive and it’s hard to select which releases to include as essential. I chose for Jason Hou’s more experimental and dark-percussive EP, which connects in many ways to the recently introduced gorge genre.
Like gorge, 原 (Origin) is a return to nature and the most elemental aspects of existence – in this case, human existence. Homo sapiens’ propensity for ritual, creation, community, narrative, violence and reproduction is expressed with a blend of relentless club & techno drums, bright polyrhythmic percussion, traditional chants and deep subs.
The Berlin based producer Ziúr is one of my personal favourites this year. Both her ideas about the politics of citizenship and her intense, industrial club sound resonate intensely with how I’ve been reflecting on existence since a long time now. Developing her personal style since a while now, connecting to, yet subtly distinctive from the Berlin avant-garde sound represented by players such as JANUS or _WDIS, ‘Taiga EP’ is the first crystallisation of it in the form of an EP released on the Canadian-Mexican Infinite Machine label. The EP contains 4 original productions, one featuring RIN, and two remixes provided by the posthuman futurist Born in Flamez and the Australian visceral club deconstructionist Air Max ’97.
If you want to know about the wave genre, which we didn’t introduce on the blog I halfheartedly gladly forward you to this pretty insightful High Snobiety article. Needless to say, if something is on High Snobiety before it is on generation bass, it is either not interesting enough, or we haven’t done our job right. Or both. In this case it’s somewhat in the middle. But in short, wave is an intense, melancholic blend of trap, sadboy rap, witch house, cybernetic grime and vaporwave, which has been around in online undergrounds since as far back as 2013 but was lifted into the spotlights last year by futurebeats heavyweight Plastician and his terrorythm label. In retrospect I think we slept on it mainly because of my own tunnel-obsession with avant-garde club and because of its quick affiliation with the futurebeats-scene, which we also skipped almost altogether. But despite all this, I’m really feeling the heavy, emotionally touching vibe of wave and am fascinated also by the strong IRL-URL community vibe going around in the scene.
wavemob is one of the central, if not the single most defining label & collective of the movement, that released their first official compilation. wave 002 is the follow up, with 13 new, original productions from the wavemob members.
Internet culture has always had its obsessions with bygone sounds and subcultures. This year it’s trance, gabber and metal which are being devoured by the grinding mill. CREAMCAKE is a Berlin based avant-garde label, specialised in precisely capturing these shifts and trends in digital culture through music. ‘Powerpoint EP’ is the debut of the Finnish post-internet producer Keiska, who tunes into the melancholic echoes of 90s and 00s rave culture, bending the escapist angelicism of trance and eurodance into eerily alienating melancholic ambient music, contrasted with intense, deconstructed beats and dystopian samples.
Next to the grinding mill spit-outs of trance, metal and hardcore, there is also an obsession with racing cars and motorbikes in the aesthetic underground of tumblr, in the wake of health goth fashion and broader cyber tech aesthetics. The new producer collective Drift Kings takes this aesthetic trend to a more serious level. Like their first kickoff compilation, this follow-up release is again entirely dedicated to the conceptual vibe of car racing and its videogame simulation, with tracks, named after cars, filled with racing samples and immersive trance synths.
We’ve also entirely slept on the wave of hyperpop/bubblegum-bass that gathered the attention of the music magazines for a couple of years now, especially the stuff from the PC Music label. The hype has almost entirely faded out now, but an underground scene of producers that are fabricating a distinct, cotton-candy-like sound from sources like contemporary pop, nightcore, rave, k pop, RnB and bass music, is continuing and evolving further. The Canadian producer crapface is one of the defining names from this movement and his most recent album ‘:) 🙂 :)’ is at the same time an insightful display of where the post-PCmusic underground is moving as well as lots of fun to listen to.
The Mexico City based producer Cepillo Cuevas has always been an eccentric frontrunner in the world of moombahton and global bass, not following popular templates but developing his own ever evolving and diversifying, yet consistent style. Now global bass as a movement of mutually supporting producers, DJs and bloggers, has largely diffused into different directions, Cepillo Cuevas is more relevant than ever now. ‘Que Se Sienta’ is the kind of moombahton EP I have always dreamt of, staying true to the tresillo groove, while drawing in sounds from new-age ambient, cinematic-epic music and dark rave-techno, giving a whole new twist to the entire genre with each track.
So here we go for this month´s edition of Sexxy Saturday Cumbia. The autumn is always a prolific period for musical releases, and as you will see below, this time has not disappointed. Check out a fresh selection of cumbia inspired tunes below:
Has Christmas arrived a few months early? Well it certainly looks like it. This compilation has come out straight from the woods, after another great Nomade gathering, which was held in Germany not so long ago. The track list is simply perfect and includes some of my favorite producers of the moment such as Pigmalião, Vruno, Matanza, Spaniol, Dandara, Kurup, El Remolon, Intiche, and many others that I had the pleasure of discovering.
“Nomade is a festival, music label and artist collective seeking new sound territories merging the contemporary to the ancestral Latin America folk.”
Hit play and enjoy the whole lot!
El Remolon – Senderos (Fertil Discos)
So here it is, El Remolon’s new album released a few weeks ago on Fertil Discos. From what I read on their website, this work seems to be a new step for him, taking a new direction, slightly more experimental than his usual banging digital cumbia. The variety of beats and influences found in this album is really interesting: “It travels across rhythms and formats: acid sounds, house reminiscent bases, trap, deep voices, autotune and synthesizers that could either come from a minimal track or a cumbia villera”. I really look forward to hearing these new beats live on a big soundsystem.
PrΛ.Λ.H – Chamada Remixes (Nomade Records)
What a release! I must say I was already a huge fan of the original mix, so hearing so many new versions in the hands of Vruno, Pigmalião, RLHBSLCN, Dandara, Steffen Kirchhoff, Trippin Jaguar and Ninze was just one big auditory orgasm. They have all stayed quite close to the original vibe and structure of the tune, whilst adding their delightful touch to it, which brings them all together in one beautiful EP full of organic & deep sounds, and electronic layers thus creating new textures for our pleasure; and the good news is that their will be more similar projects to come.
P.r.Λ.Λ.H ~ Chamada (Jota Karloza remix)
I don’t really know why this one wasn’t released on the above mentioned EP but it definitely deserves a good listen. Jota Karloza is on my radar these days and has been coming up with some absolute gems. His remix is simply beautiful, with new crunchy details appearing here and there, enhancing his vision of the whole thing; he has also kept the original feeling and progression of the tune, and it works really well.
El Buga – Mini Conga Remixes (Regional Label)
Another remix EP was released on the all mighty Regional Label, including 6
great remixes by Larry SKG, DJ Nirso, VSKA, Mambisa, Bagre and Dúli. They are all really good in different ways, even though they all used the main flute and congas in similar ways to the original; but I must say I have a little ‘penchant’ for Dúli’s spaced out version.
I’m really enjoying the amount of remixes coming out recently, from all over the place; a proof of the constant exchange and will to share, explore and develop new ideas together.
coss – Nagual (El Búho Remix)
“Please enjoy this lovely collection of colourful music gems and take part of this journey thru time and space, silence and recreation.”
El Búho strikes again! I didn’t know the original tune, or any of the other 5 producers involved in this remix EP, but as always, El Búho has hit the spot! He always manages to create his own textures, taking you on a journey into his world. I love it.
It must be the month of remixes or something because loads are coming out from all over the place, and another great one has just landed! I loved the original tune and I must say that hearing the much-loved Nicola Cruz’s remix of it put a big smile on my face. It’s a really nice 4/4 progressive beat which slowly, but surely, gets you grooving, and builds up really well to a lovely 6 minute journey.
Universildo – Pru Etnico (Shika Shika)
Shika Shika is one of the labels of the moment, releasing beautiful journeys from all around the globe. This tune is part of “Botanas II” EP by Universildo, which if I understood correctly was made in collaboration with Chancha Via Circuito. I didn’t know anything about this project but loved it straight away and really look forward to hear more from where that came from. It feels like a deep shamanic dream into their worlds.
RAYADOR – Esquinas (WIP)
El Rayador is back! I hadn’t heard anything from him in a while and was really pleasantly surprised to hear this tune. A banging cumbia beat with a hint of hip hop and a fat bassline to get the groove going. Straight from Cordoba in Argentina, keep an eye out for this guy.
Nicolas Jaar – No (Other People)
So here it is, a cumbia beat in a Nicola Jaar album (out now on his new album ‘Sirens’). This had to happen; it’s probably his Chilean roots slowly coming back to him. I must admit that I wasn’t totally convinced when I first heard it, but I think it’s what we call a ‘grower’. The more you listen to it, the more you get it, and the more you love it ! I heard Jin Yerei drop it in one of his sets the other day in Madrid and that’s when I realized what a good tune it was.
Kumbia Queers – Una, Dos, Ultraviolenta
(Cover de Los Violadores)
After seeing them in what was probably one of the best cumbia gigs I’ve seen recently, I was happy to hear a new cover from the Kumbia Queers. The energy they have is impressive, and the fusion of genres they manage to create is just amazing: proper tropical punk business.
Izem – Hafa (Soundway Records)
For all the Izem fans out there you will be happy to know that his beautiful album ‘Hafa’ is now being released by Soundway Records ON VYNIL!!! And to celebrate the occasion, here’s a little freeby from them. You can order the vinyl directly from:
Many of you will remember the horrible disappearance of 43 students in Mexico about two years ago; a tragedy which is unfortunately not unusual over there. Lascivio Bohemia has decided to commemorate the event trough this tune and video. “No more state crimes in any country of the world”.
Straight from Madrid, these Kumbiaton lovers have been rinsing dancefloors and festivals all around Spain for the past few months, with a touch of punk attitude and a hint of autotune, which actually works really well! If you don’t know them get involved, even though I must say that the real effect of this band really comes out during their concerts.
El Camino de Leda: Recopilando a Leda Valladares (Fertil Discos // Folcore)
Some great campaigns are seeing the light these days and this is one of them. Fertil Discos & Folcore are teaming up for a tribute to the Argentine singer Leda Valladares’ works by working on vinyl release with works from Chancha Via Circuito , El Remolón , TREMOR , King Coya , Soema Montenegro , Miriam García , Paloma del Cerro , Barda , San Ignacio, SidiRum , INTICHE , Doma Tornados , Uji , Celeste Y Las Mil Jarillas, Camanchaca , Pol Nada , Juan Sorrentino , El Pastiche , Mutienigga, and Qechuaboi. I’m really happy to see more and more vinyls appearing in this scene. I won’t say anymore, apart from the fact that I really hope they reach their goal for us to hear the final result very quickly. Find all the info you need about this campaign on: https://www.indiegogo.com/projects/el-camino-de-leda-compiling-leda-valladares-music#/
ZZK Films Crowdfunding 2016
Here’s another really interesting campaign to support. Also from Argentina, the ZZK family wishes to continue spreading their love for the Latin American culture but this time under a visual format. I mentioned their first documentary a few months ago on this blog, and really like the idea of seeing more of them, and getting more insight into this scene which we’re currently bathing in.
Los Mexaterrestres – Kumbia Galáctica (ft.DucNoize x Fricci)
Here we go for this month´s selection ! Very exciting time for all cumbieros as the September low has passed, and now we can start creating and getting used to our winter on this side of the globe.
This first track is from Los Mexaterrestres from their album called Kumbia Galactica ! great algum which as the name say covers a very deep spaceship type of cumbia and lyrics ! I personally love the effects and rapping over the rhythms, the heavy kicks on there with the little flute added towards the end to give it a special finish. Great job !
SAN PAOLO – Mágico González – ░░ ▀▀ ░░ тємplо░░ ▀▀ ░░
Our Madrid loco, very crazy and very sexy Magico Gonzales comes at us with this hybrid of a track. Very different from his latest work he takes us on a ride through various breaks, trap, reggeaton all followed by this Indian guitar chord. The bassline of this track is to watch out for as it is very stinky indeed. Magico Gonzales once again, coming with surreal material – music and video. Great work from this locooooooo!
Kumbia Boruka ft. Celso Piña – El Porro Magangueleño
So here we go up a level in my eyes as this is a track by a band I have been championing for a while, featuring the all-time master who is Celso Piña. I personally absolutely love this song. It has all the best components you would want in the perfect cumbia track. AMAZING instrumental as always from Kumbia Boruka and really deep, heart felt vocals. I cannot insist enough that if you have the pleasure to have a visit from Kumbia Boruka in your town go and see them, they are to Europe for me the essence of the cumbia culture and sound.
América afroindígena – Yuka – Las pilanderas (sesión en vivo)
To stay in this kind of acoustic and general rooted cumbia vibe here is a live recorded version of Yuka and a track called Las Pilanderas. I have posted about this label before, they are doing some great work putting out these raw recordings and sharing this original sound so we can really feel like we’re in the middle of the amazon. Please go and check them out, give them a like and a helping hand as we need more projects such as this one to keep this sound truly living on.
Vermilion Bird – Cumbia Mala (Wile Out)
So now we have been through the less electronic side of cumbia for this month, lets go deep and get ravey! Here we have a very dark tune by the Argentinian born, New York based producer Vermilion Bird. A dedicated member of New York’s global bass family, she comes at us with some nasty, moody cumbia, released via the While Out label. The title says it all really “Cumbia Mala,” evil cumbia. The production on this one is so deep. Lots of wicked bassline swaps and rhythm changes. I love the panning work and the horns really makes the tune sound vicious. Love it !
Niño Virtual – La barata fue de Elotes
You want to go in this month ¿ Really in ¿ Well go run tell your friend we have a new killer on the scene ! Niño Virtual with this killer track: La Barata fue de Elotes. What can i say this track combines heavy as bassline with heavy lineal breaks which keeps it Wells tructured and mental changes. I´m not sure how I have never come across this producer but trust me this is fire! The song makes me feel like ants are crawling all over me but in a good way J
STACKED – Rocky Wellstack x MAKI – Hechizo [ADE SPECIAL]
Now we’re all in, we can go further and keep on raving hard ! ha ! This is an instant hit. I know it is not totally cumbia and it has very heavy Moombathon influences but the original sample and for me the best parts of this tune are the cumbia instrumentals and cumbia beats. Then saying this the whole production on this is off the hook. These kicks and highs are just lush and well the vocal instrumental absolute killers when it comes to make you bum shake!
EL Barba Dub – “F…- .. N “
Ok on this track I have to admit as an English speaker first the title shocked me a bit and I didn’t want to post anything related to the bad word 😉
Saying this I know the man having worked on projects with him and I know how South American people say this word. No racism involved and in this particular tune it is actually based on humour. I don’t know if you have seen the videos shared by this dwarf who so badly wants to be a black person? (if not check them out,. Hilarious) Well this track is dedicated to that fella. You can diefenetly recognize the production from El Barba those breaks and this particular instrument he loves so much. Really nice and humoristic tune hermano J
This is a fun electro cumbia tune from Negro Dub. A sweet build up based around a high pitched up vocal leads to a funky drop where some amazing swirly synths and pads combine with a rolling, percussive cumbia beat to create a dancefloor smasher. Undoubtedly a great option for warming up the club!
Shushupe – Semarang (Tribilin Sound Remix)
Tribilin sound presents a new remix of a Shushupe tune, a heavy bass roller with a Indian atmosphere. Slow paced but with a huge sound, this is sound system cumbia. Eery atmospheres and hindu flutes create a dense, almost claustrophobic feeling, and round off the whole. Love it!
Orihuela M.S.S. – Esta Madre No Tiene Nombre Pero Se Baila Bien
We only just missed this one last month, so here it is! Stomping Mexican cumbia can be crazy, with a fine example here by Orihuela M.S.S . This track is relentless as it never stops growing, and the acid synths are absolutely rinsing! The drums are particularly great and have loads of wicked glitch / reverby FX. Check it out!
Orihuela M.S.S – 24 años de decepciones
I just couldn’t resist publishing this second belter from Orihuela M.S.S, as this is another journey of its own kind. Described as Cumbia Digital Acida, this will hit the dancefloor hard. As usual in his productions, synths are very present and always have awesome, intricate variations.
Bosq y La Candela All-Stars – Ron Blanco Con Coco ft. Luis De la Rosa Solá
Not strictly Cumbia per se, I still wanted to present part of Bosq´s new projects with La Candela All-stars. Described as Reggae salsa, this is a funky number with a great vocal “featuring the immensely talented lead singer of Orquesta Macabeo” and some beautiful instruments in the background!
Dj Brian Lopez – Dance With The Devil (Cumbia Remix)
And here we continue with the Mexican sonidero vibes, with some satanic cumbia! Its name says it all; this tune will turn you into a devil worshipper. Dance with the devil!
Erick Jaimez – El Cumbiambero LP
Here is a new Cumbia Lp by Mexican tropical master Erick Jaimez. It has a very Sonidero, rebajado feel all around but covers a variety of styles, from pure cumbialist, instrumental versions, to more minimalist, heavier, trappy styles. There are thirteen tunes so definitely something for everyone over the album. Boom ting!
Loko Bono Ft. Acapulco Zombie – (%_!_¨¨¨_779= Deep Latino $$HIT
Halloween will kick off this year with an unlikely forward looking blend of electrifying EDM and deconstructed dancehall and club vibes, all with a dark twist rooting in the full spectrum of the rock genre.
Monsters On The Horizon, a NYC Collective of Musicians, Artists, and Producers, bringing back the dark vibes. Like reading an H.P. Lovecraft story while UNKLE’s Psyence Fiction plays in the background. These are Remixes of the songs from the FIRST COMING ALBUM by none less than Chooky (Australia), Hataah (Hungary), Ackeejuice Rockers (Italy) and Aluphobia (Hungary). The remixes will drop during the following days.
The monsters are coming…
For who can’t wait, grab The Haunting 95 BPM dembow VIP>> HERE <<already !
Imagine a genre supposedly born in in the mountains on the Indo-Nepal border, communicating the aesthetic and spiritual sublimeness of rock climbing, becoming the soundtrack to an international rock climber-clubber subculture in Canada and Argentina and eventually morphing into a passionate avant-garde movement in Japan: it exists and is called gorge.
Exactly a year since we officially introduced our last genre, Shamstep, it is high time to return to doing what Generation Bass was originally created for: introducing cutting edge dance flavours from around the world to URL music enthusiasts. But at the same time, 2015 was the year in going into the music history chronicles as the year in which genres as a whole were officially dead. Most probably killed by cyber-deconstructionism. What could have been bandwagons just some years before were now all destined to prematurely popping out of existence, like soap bubbles. That makes it extra shameful that we totally slept on gorge when it was hot, back in 2012, when we were too busy pushing moombahton and 3ball. But now the genre, once a completely separate, ungoogleable bastion of secrecy is now slowly creeping into wider attention with artists such as Kazuki Koga (Canada), whose Salathé Wall EP for the Apothecary compositions label, introduced the mysterious percussive sound into the avant-garde club movement. So if there is any right moment to introduce a genre so long after it’s beginnings, it is now.
Gorge, best described as an experimental electronic interpretation of Nepalese folk percussion, is vaguely defined by its own inside conventions and legends. The sound can range from very distorted and noisy, to organic and minimalistic, from straightforward rhythms to complex experimental patterns and from downtempo to uptempo. Still gorge has, if such thing exist at all, a strong signature that makes the genre recognisable. According to gorge originator Himalayan GiantDJ Nanga in an interview from 2013, if you make gorge, apply the Gorge Public Licence:
Whenever you feel that a track that you make might me gorge, it is already gorge
Never ever call it ‘art’
I’m fascinated by why ‘never calling it art’ is such an important part of gorge. I suppose it’s because ‘art’ implicates human mastery and control, whereas the whole idea of gorge is precisely to embody ‘the sublime’ which escapes and resists human control. Not culture but nature, the impersonal, relentless magnificence embodied by the rocks, refusing to be conquered and tamed by humans trying to climb them.
In the words of DJ Nanga, gorge is ‘rock music’ in the most litteral sense. It is the “sound of a rock, sound of water that beats the rock, sound of a mountain held by the rock.” And according to DJ Fhuck TheChipping, gorge “is not a human expression, Gorge only has the hardness of the rocks. Can you survive?” Accordingly, producers making gorge aren’t called ‘artists’ but ‘bootists’: they don’t craft their own sound, but climb them. And perhaps that is – in the wake of aesthetic trends like xenopunk that are reflecting on non-human sublimeness against an increasingly artificial world tailored for human comfort – why gorge is more relevant than ever in 2016!
The newest EP ofHanali (Tokio), one of the leading figures in the Japanese gorge movement
And the promotion video for Hanali‘s 『ROCK MUSIC』 EP from 2013
Hanali is not a DJ but a live electronic musician who performs gorge by on-the-spot improvisation
A gorge tune from the very early days (2008) from the further unknown DJ Kinabalu
And another selection of Japanese gorge from 2014, by the Kyoto based label Terminal Explosion
Gorge from US based bootists, ‘the United GORGE Bootists of America’, released in april this year, featuring less industrial noise and much more crossovers with electronic genres like techno, avant-garde club, ambient, kuduro and more
Kazuki Koga‘s grand EP for Apothecary Compositions, which we supported before, blending gorge with juke & footwork
In the Japanese electronic underground, juke & gorge appears to be a powerful combination to blend together on club nights.
The most important artist who brought gorge into the internet-underground last year is seapunk OG Ultrademon who was inspired by Kazuki Koga and announced to make a gorge EP last year as a tribute to his cousin who died ice climbing. This EP was materialised via a his side project Thiefist, released via the gorge.in label & platform.
Gorge & post-internet aesthetics influenced rap by rapperMC松島, produced by bootistFranz Snake
According to Japanese gorge specialists HiBiKi MaMeShiBa and Mr. Ishii these are two tracks, one from the British industrial bandSLAB!(1987), the other (1969) from the German experimental krautrock bandOrganisation(Kraftwerk before they started Kraftwerk)
And here a fresh EP from this year’s most active and passionate gorge bootist, Indus Bonze, who asks the question whether gorge is dead or alive…
…but, to speak in the spirit of DJ Nanga: gorge is never dead nor alive. Gorge is the water crashing down from the rocks, with with no beginning and no end. Gorge is the rumble of the elements when the rocks were formed. Gorge was there long before us and will be there long after we are gone. Gorge is eternal.
Cumbia and tropical bass continue to advance all over the world this summer, with the genres being featured in many gigs and festivals this summer. As always, releases seem to pick up in September as artists come back from their interdimensional travels and return to work. This time is no different as enormous amounts of quality cumbia is to be found. Here are some choice cuts from this month!
San Ignacio – Casiotone Rosa LP (Casa Caos / Fertil Discos)
Proper deep tropical business from Argentina with San Ignacio’s new LP released in conjunction with two labels which are bringing out some great stuff recently: Casa Caos & Fertil Discos. They also invited several other artists to bring out some special edits for the occasion.
San Ignacio has managed to “incorporate his passion for literature and music” in this beautiful journey. The sounds are profound, really well produced, liberating a powerful atmosphere along the EP. Some tracks like ‘Os Ventos’ or Yule & JGB’s rework of ‘Ou Não É’ stand out for me, but I strongly recommend you listen through the whole thing; it’s a beauty !
Palenque Records Afrocolombia Remix (preview clips) (Galletas Calientes Rec.)
What a great surprise that was; I didn’t see that one coming: a 5 track remix series “to pay a tribute to Palenque Records who are celebrating 20 years of musical activism in 2016”. Galletas Calientes Rec. chose 5 artists who are currently moving the tropical / global bass scene around the world and who have now delivered 5 great remixes: Solo Moderna, Motin, Ghetto Kumbé, Dj Sabo and Rafael Aragon. All 5 of them have really managed to keep the essence and magic of the original tunes, and bring these traditional champeta & currulao rhythms straight to the dancefloor. It’s out soon on vynil on Galletas Calientes Records, so pre-order it while you can at: http://www.toolboxrecords.com/fr/product/26627/oriental-jazz-cumbia-gypsy/galletas-calientes-10/
Jhon Montoya – Chuquy (Barrio Lindo Remix)
Barrio Lindo en la casa! I always love his productions; they are so tight and create such a great atmosphere. This one has a lovely repetitive and catchy groove to it, just in place for that amazing flute to come in and hit the spot.
We had the pleasure of meeting and seeing both John Montoya and Barrio Lindo play live this summer on a ‘paradise beach’ in Croatia: it was simply fantastic.
Kike Pintos – Zorro Negro (Barrio Lindo Remix)
And here’s another remix from Barrio Lindo; the man never stops! This time he takes us on a journey straight into the Andes with a tribute to the great Kike Pintos. You can once more feel a superb ambiance building up in the tune, full of delayed details and heavy subs to bring the whole trip together. Love it!
El Búho – Cumbia de las Cosas Extrañas
I haven’t seen this new series that every one is going on about at the moment, but I’ll happily enjoy El Búho’s edit of the themetune. This edit is so potent; its strong psychedelic cumbia beat evolves so well with these incredible atmos and crunchy noises all around. I don’t know what else to say, it’s simply beautiful!
If you enjoyed the vibes of the last few tunes I mentioned, I really recommend you listen to this release, one of Lump Records’ latest ones. It has 2 awesome remixes of Jota Karloza’s ‘Om’. We’re moving one step away from the traditional cumbia beats but I’m sure alot of you will enjoy the deepness and heavyness of these remixes. They are both different and bring out distinctive parts of Jota Karloza’s original tune, which make them come together really well in this EP.
Lascivio Bohemia – In love with u
I think I just missed this one last month, but here it is incase you also missed it. Psychedelic cumbia business in the hands of the great Lascivio Bohemia. His productions are always so original, and so genuine. They are always evolving and moving around, bringing in darker elements when you expect it the least, grabbing you with them on the way. I can’t wait for this one to be released. Big ups!!!
Biomigrant ft Fredys Arrietaft & Toño García – La Muerte (Regional Label)
Last but not least for this month’s selection is this amazing tune by Biomigrant, which is part of his new album recently released on Regional Label. What a tune! The whole album reflects how Biomigrant has “inspired himself from the richness of rhythms found in Latin-America and amplified them with the power of electronic music”. Make sure you check the whole album out, and once more big ups to Biomigrant and Regional Label on this one!
And here’s a little extract of Biomigrant in full live flute business:
While we’re at it, here are some other sweet live sessions , documentaries, videoclips, etc… which have come out this month:
Picó: La Máquina musical del Caribe- La historia detrás de las máquinas
Sauvage FM – Cumbia Del Rio feat. W (Studio Version)
Live studio Ghetto Folk business from the French northern badboys ! Big ups !
Quantic at Manana Festival – Santiago de Cuba [Havana Cultura]
Here’s a short insight into Quantic’s trip to Cuba.
The musical delights of the month continue in shapes of mixtapes, which saw the light over the past few weeks. Here are some of them, with some amazing selections from all around the globe, always with a hint of tropical shakers !!
El Buho – Voodoocast 008 (Voodoohop)
Carnival in Barranquilla: A Celebration of Colour and Afro-Colombian Identity (narrated by Joe Galbraith) (Sounds And Colours)
Cal Jader’s Soy Caribe Mixtape – Love Carnival Sessions
Mr. Toé – Mixtape 028 – Festival Nómade Colombia
Make sure you check out this amazing festival that is currently shaping up in Colombia and getting ready for the 8th-11th December ! With another Nómade meeting in Chile in February 2017. All the info you need can be found on: http://www.festivalnomade.cl/
Two very big names in the industry have come together on this remix. You can feel the very warm, dubby bassline from Negro Dub which brings this cumbia to its true colours. Then we have the king of the cumbia and his accordion with this very unique sound and way of giving us the latin American feeling.
Swindle – Connecta Ft. Ricardo China
For my 2nd choice this month I wanted to bring one of my favorite producers from the last 3 years to the table. SWINDLE is a true underground veteran and keeps on lighting us with his UK bass music hits and then takes the time to produce beautiful pieces such as this one. His production is always very based on those tight drums and a very deep bass sound. You can feel the London vibe coming straight at ya!
Eyeunle: guiro para change – America afroindigena label
Here we have a very authentic and rooted cumbia sound with proper traditional instruments. I absolutely love this song. Not my traditional selection but when it comes to music made with such respect and truthfulness to its roots I just cannot stop getting inspired by its sound and spirituality. Out on the label America Afroindigena please go and get yourself this masterpiece on soundcloud for free!
Loko Bono – Sistema beat Andino Steppa remix:
Now you might know or not know that I come from the Dub scene and I truly love this music. Cumbia came along a long time after I started this love of music J So when the master Loko Bono comes forward to present us this Steppa masterpiece I just couldn’t control myself. I had to mix it and remix it for almost a whole night! The production is very nice and has totally managed to get to that Hard Steppa style, but for me what breaks it down is the vocal. This voice is truly a blessing from the sky.
Yo me Llamo Cumbia radio show – Tribilin Sound
So this is not the first time I share one of these podcasts and really they are all amazing J
I wanted to bring this one out because of two tracks which stood out for me. First of all the Loko Bono remix mentioned above and then the unreal track by Tribilin Sound called X E*vax – Hijas! It is a half breed of Cumbia and Juke together with a totally twisted melody pon top. Really dig the man´s work recently getting into more bassline vibes.
Shushupe – sarayacu taricaya ep:
Now listen to this kick and bassline starting this track. Fabulous track with those acid melodies coming in. I cannot stress enough how amazing the production for this EP is – very very potent indeed. I think this type of EP has a place within the tropical world but also on many other fronts such as Minimal techno – or even disco. Really clever and ear pleasing piece of music!
El Cifickzer X El Kombo Kolombia – El chavo banda se siente relajado (Hnry X Sonidero Sabotaje Edit):
Once again I mention the Rebajado Mix crew, Hnry and El Cifickzer I know J But honestly I think I´m developing an addiction to cumbia rebajada and well they just do real good works these days and it seems they are not here to stop. So we can hear the original vibes to this track by El Cifickzer and then those slight kicks coming in by Hnry! Really nice and smooth cumbia we have here for everyone to enjoy free of charge so go run tell your friends!
Rebel up ! Soundclash – Andres Landero – Rosa y Mayo (Rebel Up! Duckfood Remix):
Would you like some bassline cumbia for your ears ? Well if you have some huge bass sound system en casa please turn it up!!! This version by Rebel Up Soundclash of a classic cumbia is a real sound system artillery. Big ups and we hope they carry one bring in on some nice remixes or even original Cumbia tracks!
Now this all time player has come to us with a track that reminds me of a Totty style cumbiaton! Real nice groove on this one helped by this accordion and those breaks within the tune. You can also hear those samples coming in everywhere as the song plays which gives a real nice originality to the beats!
Cal Jader – Movimientos Nueva Colombia mix:
London Calling ? No its Colombia calling J
The mastermind behind the mighty events “Movimientos” has just landed in Colombia a few days ago from what I know and to promote his stay he delivered this sublime mixtape. I know this is the end of summer but for Mr Jader it seems winter doesn’t exist ! Special request on his travels!
Larry SKG : SmallFall – Jungler (Marimba Remix)
Getting to the end of my selection for this month but I couldn’t let you go before mentioning this amazing piece of music. I had never heard of SKG before, a producer from Greece. He has nailed it with this remix. I love the Marimba instruments and love this really ill sound he has blended with it. I´m sure a lot of music will come out from this very talented producer so keep your ears out.
And to finish off this real good month of Cumbia I wanted to introduce you to this band. It’s a duo, a very loco guy and a lovely female accordionist. Let’s say the guy goes by the name of Chongo Reinhardt and the lady of “ I mas”. Together, they form the all mighty Moonanga! We have had the pleasure of spending lots of time with them this summer and trust me they are full of new sounds and treasures coming out. Here is a presentation mix they made filled of classic and twisted dancefloor killers.
Part of a new remix LP on Tropic-all, this cumbia remix by Sonido Satanas delivers on all levels. Classic Mexican vocals combine with catchy synths and instruments and a groovy bassline in great style. Good tune for the dancefloor, arriba la bebida!
Lascivio Bohemia – La Visherita Flashera
Lascivio bohemia features again for a brand new electro cumbia release, la Visherita Flashera. A very organic buildup is followed by some more “villera style” electronic synths and leads to an eery, spooky drop. This is a great mix of potent sounds and has a very original side.
DJ Caution – Hot Steppa
This new offering from DJ Caution is red hot. A very sexy electro cumbia, dancehall inspired stomper, it brings great vibes whenever it plays. Badboy pitched down vocals ride a carribean, tropical drum beat while an amazing accordeons spices things up. Tune!
Pinduca — Mistura de Carimbó com Ciranda (iZem’s Tropical Discoteq Special Fix)
Izem presents a cool Little edit of a original brazilian gem. Heavy shakers, a sweet cumbia groove and a catchy melody bring this number into 2016. This is very fresh and very tropical.
The Rebel – Cumbia Dub
This little nugget carries its name perfectly, and manages to build an old school 70´s dub feeling into the drums with tasty guiros over the top. A classic dub bassline and some swirling synths round the track off. Big up!
Dunkelbunt – Duck Polk
I don´t think I had ever seen Dunkelbunt, Balkan and swing legend, make a entry into the cumbia scene. This is forthcoming on his album and is certainly an original beat. Just like the previous tune, this rides that fine line between cumbia and dub perfectly. The acid guitar sounds absolutely amazing – it will trip you out.
Thanks for listening and reading and see you next month!
WHITE TALLS is electronic project formed by Estefi Spark (F.L.O.W Altas Wachas) on vocals, Tropikore (Le Ronca) on programming and post-production and Cristian Del Negro (Faauna) on programming and vocals.